The Raven

The Raven
Nevermore

Wednesday, September 1, 2010

William Faulkner

From the early 1920s to the outbreak of World War II, William Faulkner left for California. He published 13 novels and numerous short stories, the body of work that grounds his reputation and for which he was awarded the Nobel Prize at the age of 52.

This prodigious output, mainly driven by an obscure writer's need for money, includes his most celebrated novels such as The Sound and the Fury (1929), As I Lay Dying (1930), Light in August (1932), and Absalom, Absalom! (1936). Faulkner was also a prolific writer of short stories. His first short story collection, These 13 (1931), includes many of his most acclaimed (and most frequently anthologized) stories, including "A Rose for Emily", "Red Leaves", "That Evening Sun", and "Dry September."



Faulkner set many of his short stories and novels in Yoknapatawpha County—based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi is the county seat.

Yoknapatawpha represents a fictional creation in the history of literature. Three novels, The Hamlet, The Town and The Mansion, are known collectively as the Snopes Trilogy. They document the town of Jefferson and its environs as an extended family headed by Flem Snopes controls the lives and psyches of the people who live there.


Faulkner is known for an experimental style with meticulous attention to diction and cadence. In contrast to the minimalist understatement of his contemporary Ernest Hemingway, Faulkner made frequent use of "stream of consciousness" in his writing, and wrote often highly emotional, subtle, cerebral, complex, and sometimes Gothic or grotesque stories of a wide variety of characters including former slaves or descendants of slaves, poor white, agrarian, or working-class Southerners, and Southern aristocrats.


In an interview with The Paris Review in 1956, Faulkner remarked, "Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him." Another esteemed Southern writer, Flannery O'Connor, stated that "the presence alone of Faulkner in our midst makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down."



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